How Come Merly Streep Isnt in Mamma Mia Her We Go Again
- INSIDER spoke to "Mamma Mia: Here We Get Again" managing director Ol Parker about the complicated "Dancing Queen" scene, which involved 14 boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't good dancers, and so they inverse their choreography for the boat scene the nighttime before shooting.
- Parker too confirmed why Meryl Streep's character Donna was killed off for the sequel, and why the movie doesn't clarify how she died.
- "Mamma Mia: Here Nosotros Get Over again" is available on digital, DVD, Blu-ray, and On Need now.
Ol Parker, the director of "Mamma Mia: Here We Go Over again," made the most delightful moving picture of the summer that audiences and critics loved.
INSIDER spoke to Parker leading upwards to this week's DVD, Blu-Ray, and On Demand release about the complex "Dancing Queen" sequence that involved 14 boats, and the decision to kill off the main character.
"Here Nosotros Become Again" tells 2 stories from two different fourth dimension periods. In the nowadays, Donna, played by Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her girl Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, ready thirty years before, shows how Donna (played by Lily James) met Sophie'southward three "dads," ultimately leading to Donna settling in Greece, pregnant with Sophie.
Late in the pic, Cher, who plays Donna's mother and Sophie'due south grandmother, shows up on the island and sings the iconic ABBA vocal "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker also told INSIDER how Meryl Streep'south interest in doing the sequel with her character dead got the rest of the original cast to do the flick. And some of them said yes without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you walk me through the process of making a sequel ten years subsequently?
Ol Parker: At that place was always a massive desire for a sequel. The studio couldn't have wanted it more given how much money the original fabricated. But immediately, there was simply a struggle. Non every story needs some other chapter. So they couldn't really find a proper version that actually fabricated dramatic sense. And all of the cast, Meryl in particular — none of them wanted to do it. They were all very proud of the first one and what information technology had accomplished and how it had fabricated people feel. And and then they didn't just want to evidence upwardly. Meryl was never going to do that.
Wittmer: Interesting. How did you go involved?
Parker: Considering they were desperate and I was inexpensive, I think. And I suggested that Meryl's character be dead in it, and that we make the film at least in part about getting over the loss of her.
Wittmer: Did Donna being expressionless make Meryl a little more into the thought of a sequel?
Parker: Nosotros talked to her nearly information technology, and she was delighted. The news that Meryl was in was brilliant to the residual of the cast and brilliant for me, evidently, considering they all committed straight away. Some of them without reading the script.
Wittmer: In the pic you lot don't reveal how Meryl's grapheme Donna died. Do you know how?
Parker: Yep. And nosotros included the cause in diverse different drafts. Information technology'due south only if you use the word "cancer," it kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] well-nigh how it had gone and how long information technology had taken for Donna to die, and nosotros all felt that the characters had fourth dimension to go used to it while it was happening. It wasn't sudden, it wasn't a drowning or something. Then, something deadening.
Wittmer: One thing I love about "Hither We Go Again" is the utilize of some of ABBA's less popular songs, like "Andante, Andante" and "I of Usa."
Parker: I basically did the movie to please my mum.
Wittmer: Was it hard to pick what songs to use?
Parker: I mean, you tin't exercise it without "Dancing Queen," and obviously the pic is called "Mama Mia." But when I first went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would love for the songs to serve the plot and bulldoze the plot." So I just thought if I only chose the all-time song for the drama rather than the most well-known song and then that would be bang-up. "I've Been Waiting For You" is very trivial known, simply I merely thought it was absolutely beautiful and I had the idea of Amanda singing it while Lily gives birth. And Bjorn rewrote the lyrics very generously to go far more than connected to what you're watching, which he also did at the end with "My Love, My Life."
Wittmer: I didn't fifty-fifty notice the lyrics were rewritten. How did you lot incorporate "Fernando?"
Parker: I merely wanted the song. I hateful, Andy [Garcia], his grapheme Fernando was invented then that Cher could turn to him and sing, "Fernando." He was invented in reverse for that moment. And so different songs for unlike things. But in general, the idea was to try and make them drive the narrative a scrap more than similar a musical than a jukebox musical.
Wittmer: There's a lot of complicated choreography in these musical sequences. I'g thinking specifically of "Dancing Queen," which involves many, many boats. What was information technology like to film that?
Parker: I was absolutely delighted, just horrified to be offered the job 2 months after I'd handed in the script. Considering it of a sudden became my problem, having merrily written, "Yeah, 14 boats, information technology's gonna be peachy! Fabulous!" So I find myself in a helicopter looking at 14 boats thinking, "Okay." Only yes, it was complicated. My main style of directing is to hire really practiced people and then become out of the way and let them exist brilliant. I had a really expert team. They took really good care of me. And everyone was really committed and the actors were all in, as you tin tell. So it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: Information technology'south astonishing. I can't go Colin Firth and Stellan Skarsgård spooning each other on the boat out of my caput.
Parker: Colin and Stellan were slightly worried about dancing, because they're non not bad at information technology. We were talking the nighttime before shooting, and they'd rehearsed the dances on the boat. Only it but wouldn't have looked great. I was similar, "just hang from the rigging. Accept fun. Just have fun." And they had a ball. They were laughing all the mode through it and it turned into an incredibly happy day for them, which is not what they were expecting. If they're having fun so we will. That was my hope, anyhow.
Read More:
12 surprising things you lot probably didn't know about the 'Mamma Mia' movies
Then AND NOW: The bandage of 'Mamma Mia' 12 years subsequently
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Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10
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